<?xml version="1.0" encoding="UTF-8"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>FreeHobbySolutions - FILMMAKING tutorials</title><link>http://www.freehobbysolutions.com/filmmaking/</link><atom:link rel="self" href="http://www.freehobbysolutions.com/filmmaking/feed.aspx?tableName=filmmaking" /><description>Latest FILMMAKING tutorials from FreeHobbySolutions</description><ttl>60</ttl><item><guid>http://www.freehobbysolutions.com/filmmaking/viewTutorial.aspx?&amp;id=43</guid><title>About That Interview</title><link>http://www.freehobbysolutions.com/filmmaking/viewTutorial.aspx?&amp;id=43</link><description>I have written about how to prepare for interviews and what to do at interviews, but there are three additional points to keep in mind during and after the interview. </description><author>john@freeitsolutions.com (John Negoita)</author></item><item><guid>http://www.freehobbysolutions.com/filmmaking/viewTutorial.aspx?&amp;id=47</guid><title>Before Your First Interview</title><link>http://www.freehobbysolutions.com/filmmaking/viewTutorial.aspx?&amp;id=47</link><description>Before you go through an actual interview, you should first go through a rehearsal interview. Ask a friend, family member or neighbor to play the role of the interviewer. By doing this you'll place yourself at the cutting edge of the job hiring process be</description><author>john@freeitsolutions.com (John Negoita)</author></item><item><guid>http://www.freehobbysolutions.com/filmmaking/viewTutorial.aspx?&amp;id=65</guid><title>Dress for a Successful Interview</title><link>http://www.freehobbysolutions.com/filmmaking/viewTutorial.aspx?&amp;id=65</link><description>So many times I get asked what is the appropriate dress for an interview for a job in film production. A lot of times dress depends on where you will be working in the production because you should be dressing for that department. For example, wardrobe pe</description><author>john@freeitsolutions.com (John Negoita)</author></item><item><guid>http://www.freehobbysolutions.com/filmmaking/viewTutorial.aspx?&amp;id=94</guid><title>Know Before you Go</title><link>http://www.freehobbysolutions.com/filmmaking/viewTutorial.aspx?&amp;id=94</link><description>Success in the film industry is 80 percent preparation and 20 percent show, as I explained in my earlier column about practicing for the interview, so it's essential that you go into the interview completely prepared. </description><author>john@freeitsolutions.com (John Negoita)</author></item><item><guid>http://www.freehobbysolutions.com/filmmaking/viewTutorial.aspx?&amp;id=110</guid><title>narration</title><link>http://www.freehobbysolutions.com/filmmaking/viewTutorial.aspx?&amp;id=110</link><description>narration use as a story device as part of a film sound track, definitions of "sync to picture" and "wild" narration from a script as well as voice of god and wild line narration.</description><author>john@freeitsolutions.com (John Negoita)</author></item><item><guid>http://www.freehobbysolutions.com/filmmaking/viewTutorial.aspx?&amp;id=86</guid><title>HD Post-production</title><link>http://www.freehobbysolutions.com/filmmaking/viewTutorial.aspx?&amp;id=86</link><description>Amy Stodghill gives us the low-down on HD Post-Production, as told by Pablo Toledo, independent filmmaker and director of "Runnin' at Midnite".</description><author>john@freeitsolutions.com (John Negoita)</author></item><item><guid>http://www.freehobbysolutions.com/filmmaking/viewTutorial.aspx?&amp;id=85</guid><title>HD Introduction</title><link>http://www.freehobbysolutions.com/filmmaking/viewTutorial.aspx?&amp;id=85</link><description>Hi-definition video (HDTV) is examined as a viable (and preferred) format over mini-DV and 16mm for independent productions by Pablo Toledo, director of "Runnin' At Midnite".</description><author>john@freeitsolutions.com (John Negoita)</author></item><item><guid>http://www.freehobbysolutions.com/filmmaking/viewTutorial.aspx?&amp;id=169</guid><title>The Script Driven Package</title><link>http://www.freehobbysolutions.com/filmmaking/viewTutorial.aspx?&amp;id=169</link><description>Is your script the star? Make sure you have others back up this desicion. If you have the right script you can sell but you have to stay objective.</description><author>john@freeitsolutions.com (John Negoita)</author></item><item><guid>http://www.freehobbysolutions.com/filmmaking/viewTutorial.aspx?&amp;id=92</guid><title>Is Screenwriting Right For You?</title><link>http://www.freehobbysolutions.com/filmmaking/viewTutorial.aspx?&amp;id=92</link><description>This is understandable because screenwriting is unlike any other narrative form in two very important ways: 1. Screenwriting is, at root, a collaborative form of writing. 2. In screenwriting, storytelling is more important than rhetoric. </description><author>john@freeitsolutions.com (John Negoita)</author></item><item><guid>http://www.freehobbysolutions.com/filmmaking/viewTutorial.aspx?&amp;id=61</guid><title>Dialogue</title><link>http://www.freehobbysolutions.com/filmmaking/viewTutorial.aspx?&amp;id=61</link><description>dialogue definitions are discussed: lip sync, wild sync, production dialogue, ADR and looping.  Sound track building is also addressed.</description><author>john@freeitsolutions.com (John Negoita)</author></item></channel></rss>
